Bharath - Bhavana starring Muduru November release

Bharath’s first debut movies was Shankar’s “Boys” and his movies “Premiste” which made him a super star who is very famous in Telugu Movie world, Tollywood. His latest movie “Koodal Nagar” has been dubbed into Telugu as Muduru. Bharath plays a dual role in this film.

Actresses are Bhavana and Sandhya. This movie has been produced by Sri Lakshmi Srinivasa Pictures Limited.

Music is composed by the famous Sabesh Murali. Directed by the famous tollywood director, R.Sreenu. Telugu lyrics for the dubbed version has been penned by Vennelakanti.

Srihari released the audio cassette and Director / Choreographer Lawrence Raghavendra received the first copy. Bharat - Sandhya starrer Premiste was a super duper hit in Telugu.

The film will be released in November. And audience hope Bharath - Sandhya – Bhavana combination movie will as usual make them happy.

AS LORD KRISHNA & DEVOTEE IN RANGAA PANDURANGA :

BALAKRISHNA, Son of N.T.RAMA RAO is doing RANGA PANDURANGA film. The film has been officially launched on 22nd at Ramakrishna Studios in Hyderabad. The film Panduranga Mahatyam was a super hit one in Telugu film industry. Vijaya Nirmala palyed the Lord Krishna role and NTR played the devotee role. The film is going to be remade as Rangaa Pandurangaa, Balakrishna plays both the roles of Lord Krishna and the devotee. K.RAGHAVENDRA RAO directs this devotional movie. Bharavi penned the script and as per the sources there will be little change in the film script. SNEHA has been booked for the heroine role and another heroine is yet to be announced.

SAMRAT's NAME TO FAME

Having failed to make an impression with his debut film, something special, actor SAMRAT has joined the long list of actors who have made additions to their original name in the hope of changing their fortunes in tinsel ville. He is starring as vijay samrat in his second venture, veedu mamoolodu kadu.

RAVI SARMA is directing the movie, which has Actors RISHI and GOPIKA in the lead. In the recent past, actors like PAWAN KALYAN for example added pawan to his original name kalyan. Director EVV SATYANARAYA’s son RAJESH also added the prefix Aryan to his first name.

Only time will tell if the new addition to the name will be accompanied with a shift in BO fortunes.

PRIYAMANI’S DREAM ROLE

Understanding the human psyche is a big challenge and as actors, it helps to equip yourself with the basics of human psychology as you are moving from one character to another, says actress PRIYAMANI.

Declaring that she would love to act in a psychological thriller she says, “Psychological thrillers are a big draw among the audience, because they deal with this fascinating subject.

It would be a dream come true to act in such a film and I hope that day is not too far away”

ASIN dubbed with his own voice in Telugu

Tollywood is constantly in need of fresh talent but many would agree it’s not a bed of roses for an outsider. Many actresses who come to tollywood and are not conversant with telugu and end up being made fun of.

Some recent reports claimed that actress Asin would be doing the dubbing for the first time for her role in the KAMAL HASSAN starrer Dasavataram, and that seems to have angered the actress. “It’s completely false. I have dubbed in my own voice for many of my films.

A lot of these reports are based more on prejudice than facts,” says an angry ASIN.

ILEANA IN A NEW MOVIE WITH TARUN

ILEANA, the glam girl is doing a movie with young hero TARUN. The film has been officially started, K.VIJAYABHASKAR is the director. Lakshmi Devi Productions producer and music by K.M RADHAKRISHNA. The first shot has been directed by K.L NARAYANA.

V.V Vinayak switched on the camera. The film is a family entertainer with comedy. Tarun and Vijayabhaskar already gave hit movie called Nuvve Kaavali, and this is the second time. Team believes that Tarun - Ileana pair will made this movie a great hit.

A sport person character for Siddharth in Striker film

Chocolate boy Siddharth was introduced by Director Shankar in the film "Boys", after that eventhough don't have any chance in Tamil films, he is doing well in Telugu and in Hindi he done a role in Rang De Basanti film.

After Shah Rukh Khan as hockey coach in "Chak De! India" and John Abraham as a football pro in the forthcoming film to be released "Goal", it's now Siddharth's turn to endorse a sport in a film.

Siddharth is a Carrom player in Chandan Arora's third feature film titled "Striker", seems to be a relevant title. the film's main protagonist Siddharth's character will be based on the life and times of a real-life carrom whiz from the slums of Malavni named Suryakant.

I think this is a good one to indian cinema and sports also. It will be a good trend to bring other sports other than cricket into lime light. so that youngsters direction will in a new way.

UDAY KIRAN's new film Lakshmi Putrudu :

Young hero Udaykiran's new film is Lakshmi Putrudu. Divya is the heroine. The film has already completed and the film is getting ready for Diwali. Brahmanandam, Mumaith Khan, Rajan P Dev, Lakshmana Rao, Apoorva, Shakeela, Riyaz Khan and others in the star cast. This is bilingual movie in Tollywood and Tamil.

The film is directed by Director Raj Kapoor. RS Films produced Lakshmi Putrudu. Re recording is going on. D.Imaan composed the songs.

The story is all about the love affair between a rich boy and a middle class girl. Sentiment, Action is also there.

PARAVATI becomes choosy

PARAVATI MELTON is in no hurry.She believes in the adage-slow and steady wins the race-for the actress has signed the BALAKRISHNA starrer Ranga Panduranga after a long gap.

“That’s because my role as Amrapali in Gowtama Buddha has given me jab satisfaction and I was not ready to take any shoddy role that came my way. I waited and it paid off. Once again. I got an interesting and challenging role toplay, and that too, opposite Balakrishyna, “she says.

The film is being directed bye K RAGHAVENDRA RAO.

Sporting a new look!

BALAKRISHNA will be seen in a different look in his forthcoming film, OkkaMagadu. An excited producer, YVS CHOWDARY, says "Balakrishna looks younger.

To give him a new look in this film. We took in this film, we took the help of designer ESWAR. His differentg get-ups look interesting and will be liked by the audience."

"NAYANTARA"-No publicity , Please !

If there's one thing actress NAYANTARA hates with a passion, it's attending any of her her film's publicity events.

"I am media shy. It may sound surprising, since I am an actress, shoot, I can do it until I am tire, but ask me to speak to the media to publicise my movie, and I get nervous. So, for each of my films, I jst pray for its success".

I am fortunate to have worked with good filmmakers who have understood my feelings on the issue, she says.

ILLEANA and TARUN in new film

Illeana entered into the industry with Pokiri soon managed to get good reputation in Tollywood and now she was demanding such a huge sum of 1 crore. by this she became actress to get paid highest remuneration in south India.
Earlier In Tollywood, katirna took a remuneration of 70 lakhs for malliswari was the highest paid heroine and vijaya santhi took 70 lakhs so many year ago after kartavyam it was a quake in those days.
Illeana in her new film with tarun as hero and director K Vijaya Bhaskar, producer Bellamkonda Suresh ,she demanded this huge sum and this shocking issues is that producer agreed to give her such huge amount.Though none of the films of illeana had a great hit in industry,her craze was continuing.

siddharth in new film

After the two hit movies "Lakshmi" and "Lakshyam" from the banner Sri Lakshmi Narasimha Productions, producer Bujji(Nallamalapu Srinivasa rao) and D.Suresh babu is planning to produce another film form this banner.

In this film Siddarth is going to play the lead role. Kishore who has worked as asst. director for V.V.Vinayak in many films is directing this movie

The director says this movie suits well for Siddarth's body language. Its a neat love story combined with a family drama.Regular shoot starts from january of next year.

victory venkatesh in his new film tulasi

Victory Venkatesh is back with his another family drama named "TULASI" in which he is playing the title role.This movie is produced by his brother Suresh babu.one of the top heroines from tollywood is Nayanatara who is also acted in a few telugu movies is playing against venky in this film.

This is her second film with venky.Venky says this film would satisfy all the class and the mass audience as well.hero in this movie is from faction background so it would satisfy mass audience.in this film actress shriya is doing one item song.

the director of this film is Boyapati Sridhar,music director is Devi Sri Prasad giving music for venky for the first time.director is confident about the film and hope this would break the previous records of Venkatesh.

Krishna and Shoban babu back again in this film

Super star Krishna and Shoban babu,the senior actors are again getting ready to hit the screen.Shoban babu kept himself away from the industry for quiet somtime.but they are again to act in a film together which is soon going to be released.

NAGARJUNA AS DON IN HIS NEW FILM

Super Star Akkinani Nagarguna is acting in his new debut film DON.this film is directed by Laurence under the banner of Keerthi Creation.the shooting is going on in Ramogi film city.
According to the producer this film is of high budget and each situation in this film is created in new Trend,especially the fittings are excellent.in this film Nagarjuna will appear in new getup with different dressing style.
the climax will shoot on23rd of this month and the film may be released in theaters on 20th of december

Kalidasu a Romantic Poetry

Famous Tamil director Bharatiaraja is making a new film titled Kalidasu. The film is a Tamil industry based film and the Hero of the film will be Arjun, Kajal will play the female lead role. The director has also planned to release the telugu version of this film. The film is almost completed and is in the part of Dubbing now. Dubbing of the movie in Tamil version has completed and in telugu version not yet started. Famous Bollywood Actor Nanapatekar will be playing a guest role in this film. The producer of the film is K.Lakshminarayana Reddy.

The shooting part is almost completed and presently the team is working on the sets of Malayasia, Mumbai, Goa and Chennai. The music of the film has done by Sizzling music director Himesh Reshamiyya. Dialogues are written by Ghantasala Ratnakumar, Lyrics by Bhuvanachandra, Vennalakanti and Sahiti. Camera work was done by Kannan. According to the director of the movie, the film will be released as soon as the dubbing and songs completes.

Mohan Babu’s son Manoj in RajuBhai

Mohan Babu’s son Manoj is very busy these days in learning techniques, dance and filming for his films. He is coming with a new film RajuBhai which is directed by Surya Kiran. The music for the film is given by Yuvan Shanker Raja.

The songs of the film are written by Ramajogayya Shastri. In a press meet DR. Mohan Babu says that “action is our part and making the film hit is the part of Audience. We have done this film with good efforts and its now your part to recieve. The female lead in the film will be done by Sheela .

Famous people in the Industry such as D.Ramanaidu, K.S. Rao, B. Gopal, Rajamouli, Sreenu Vaitla, Prabhas, NTR, etc attended the function and made it success ful. The director
of the film said that “Manoj has worked alot for the film and sure we are going to recieve good results for the film”.

He also said that “Mohan Babu is not only principle for his educational institutions but also worked as principle for us”

Nitin is hitting the screens with Ravi Kumar’s film

R.R movie makers is making a movie with Actor Nitin. Nitin is far away from the industry these many days as he is not finding a good story. Now he has signed a deal with director Ravikumar. Venkat is the producer of the film.

Director Ravikumar has done Samanyudu with Jagapati babu recently and says that this movie will bring a good name for Nitin in the industry.

At present the team is busy with the script work and the shooting will be started in the month of August. The team is in the dilemma of selecting the Actress. Hope he brings some one new to the industry.

Meet and Greet - Jagapathi Babu and Anushka

[IMG The image “http://www.greatandhra.com/newsimages/swagatham1192173433.jpg” cannot be displayed, because it contains errors.] MEEKU MAA “SWAGATHAM” at Dakshin Indian Cusine 675 Route 1 South and Gill Lane, Iselin, NJ-08830 On Sunday, October 14th from 7:00PM–10:00PM Come and join in 20/20 questionnaire match With Mana hattric hit hero Jagapathi Babu and Mee Andala raasi Anushka live in person!!! You can bounce questions to your favorite stars, take pictures, talk to them directly.

Kalyanram as Sivakasi in Vijayadasami

Vijayadasami is based on Tamil film Sivakasi starring Vijay and Asin. Sivakasi was one of the Perarasu, Vijay combo hits in Tamil. Sivakasi came a few years ago. Vijayadasami is almost a scene-to-scene copy of the original.

Vijayadasami is a family story with some mass elements. Sivakasi (Kalyanram) is a welder. He runs away from home during his childhood after being beaten up by his dad. He goes back to his native in the present only to find that his brother Durga Prasad (Saikumar) is treating his mother and sister very badly. Instead of revealing who he is, Sivakasi uses his brains in making the lifes happy of his sister and mother, and brings a change in his brother.

Kalyanram did well in his role. However, it felt that he was better in Atanokkade than this film. He is successful in keeping the Sivakasi role lively.



Story is rehashed version of several old films. First half of the film has nothing to offer to the actual plot. Actual story is only in the second half. First half is filled with songs and fights, typically a song and a fight pattern.


Music by Srikanth Deva is more like noise than music. Special effects in the film are good and especially the way they are used in the action scenes are nice.

Samudra makes a short appearance in the introduction scene of the hero. Overall, it is just about an average flick. It is a family story narrated in old fashioned style with some mass elements added. The film has very good chances in B,C centers.

Meera Jasmine as Aishwarya in Yamagola Malli Modalyindi

In Tollywood most of the films that came with Yama backdrop tasted success. But this is the first time ever that two films with Yama Dharmaraju concepts released in a span of week viz. Yamadonga and Yamagola Malli Modalyindi. Yamagola has Srikanth, Venu, Reema Sen, Meera Jasmine in the lead and veteran actor Kaikala Satyanarayana playing Yama Dharmaraju. Novel point that no Yama based films touched is that in Yamagola, the director touches the grandsons of Yama Dharmaraju and Chitraguptudu played by Srikanth and Venu.

The story in short is - Aishwarya (Meera Jasmine) is born into a wealthy family. Her birth brings all happiness, riches, name and fame to the family. But, the tragedy in her horoscope is that she would die at the age of 28. At the Yamaloka, old Yama and old Chitragupta want to retire from their duties. They send their grandsons Jr. Yama (Srikanth) and Jr. Chitragupta (Venu) to Earth on an assignment. The duo has to take out the life of Aishwarya. While Jr. Yama falls in love with Aishwarya, his friend goes flat for a lady cop Vyjayanthi (Reema Sen). It is against the sanctity of love to kill the girl. At the same time, it is against Yamadharma to save the girl. What do they do? Which wins at the climax? Love or Yamadharma? It forms the crux of the movie.

Tata Birla Madhyalo Laila fame Srinivasa Reddy attempted a comedy film. In parts the film feels good and few episodes are entertaining. However, the overall feel is missing.

Srikanth brought full justice to his role as Jr. Yama. He impresses with good comedy timing. Same is the case with Venu who did Jr. Chitragupta. Although, at times, he overacted. Meera Jasmine and Reema Sen did not have much scope except that Reema Sen entertains in one song that has NTR songs.

Satyanarayana's role as Yamadharmaraju is highly commendable. Despite aging, he performed naturally. Interestingly, the screen Yama also gets old as per the story. For Chitragupta, graphics of late Allu Ramalingaiah were used. Krishna Bhagawan is impressive as narada. However, major share of the vulgar dialogs are uttered by Narada in the film. Barring those dialogs, Brahmam penned decent comedy dialogs for the film.

The computer graphics are good. The scene in which Kamal Hassan as Bharateeyudu entering the Hell and later sent to Heaven is a good watch.

If you have already seen Yamadonga, you will be disappointed with the Yamaloka sets in Yamagola. Mass audience might like the movie. Second half sufferes with narration. It can be considered a timepass film, as parts of it are entertaining.

Krishnavamsi's Chandamama

Krishnavamsi strum the right chords this time. Chandamama turned out to be a cool, clean, breezy entertainer. The film falls into Krishnavamsi styled family drama. Positive things in the film are good narration, right mix of all elements, KV's style, village backdrop, soothing music by Radhakrishna, superb performances by lead cast, strong technical support and beautiful hampi locations.

Story is about one Ranga Rao (Nagendra Babu) and his daughter Mahalaxmi (Kajal). Ranga Rao is much respected person in his native place. Mahalaxmi finishes her education in City and returns to village. She is then engaged to Dorababu (Siva Balaji) from the same village. However, there is a problem for Mahalaxmi to marry Dorababu.
Navadeep, Siva Balaji did their roles very well. As required by the character, Navadeep induced full josh in his role. He is apt in the flamboyant and care-a-damn attitude. Siva Balaji is apt in his own role. He under played his character very nicely and proves the kind of potential he has. Kajal looked lovely and she performed content. Sindhu Menon character is naughty and at times, loud. She did her role to content.

Ahuti Prasad is the one who actually steals the show. With his village dialect, he simply rocked and the audience will surely go for all laughs. Radha Kumari as Ahuti Prasad's mother is apt in that role prompting Ahuti Prasad to always say 'Aada Pethanam.. bodi pethanam'. Their sequences are good. Nagendra Babu is apt in the role of Ranga Rao who demands respect from the entire village yet he becomes like a kid with his daughter.



Human emotions are nicely tapped. Especially he hits the right chords with depicting father and daughter. The scene where Nagendra Babu looks at her like she is 10 years old when she is actually 20 is nicely conceived. Unlike his previous films there isnt much prelude to how the lead pairs fall in love.

First half of the film is extraordinary. With three beautiful songs (Chengu Chengu, naalo voohalaku, bugge bangarama), time just flies off. Actual story begins in the second half. There is more than a twist in the second half that leads towards the lovers uniting. But the second half feels a bit lenghty. It is not just a feeling but even by watch second half is longer compared to the first half. Songs in second half are okay.

A few minutes in the second half could have been trimmed. For example, the prelude to Regumullole song with family anthakashari event and Nagendra Babu's poetry on Chandamama does not add any value to the script but are just few joyous moments in the family entertainment. But overall, this is not felt as every thing falls in right place. Climax comes at the right time and does not take much time before the film concludes.

Hampi and house set erected at Jayabheri estates are two locations where majority of the film is shot. Village outdoors is moslty at Hampi. House interiors and exterior surroundings are the sets at Jayabheri estates.

Music by Radhakrishna is very good. The songs are soothing and at times foot tapping. Jhats and Alaps by Radhakrishna are nicely utilized by the director at right places. His jhat in Nalo Asalaku song, imitating Nusrat Fateh Ali Khan, is excellent. All the songs are composed nicely. Asha Bhosle's Nalo Asalaku stands out.

Puri Jagannath's Hello Premistara

Hello Premistara is produced by Puri Jagannath and Dhil Raju. Naturally the expectations are high coming from two successful film makers. The film directed by debut director Raj Kumar. The film reminds of Ajit starrer Vali. Difference from this film being that heroine in Hello Premistara is not aware of the fact there is a look alike of the hero.

Aravind (Sairam Shankar) hails from Kolkota and works in a cellphone company Air Talk. It so happens that he falls in love with a TV anchor Nandini (Sheela), who runs the show titled Hello Premistara! Suddenly, one Arjun (Sairam Shankar in dual role) appears on the scene. By hook or crook Arjun wants to become Aravind. Why? and if he succeeded? Watch the plot on big screen.

It wont be an exaggeration to say that the performance by the lead pair is the highlight of the film. Sairam Shankar is very good in both the shades as Arjun and Aravind. He is at ease with both the roles and has certainly matured a lot in all the departments such as action, dances and dialog delivery.

Story being very similar to Vali is kind of a minus for this film. Even though the takings are novel, the film will surely remind of Vali and hence the plot becomes predictable. Screenplay is good in the first half but slogs in the second half. Director Rajkumar concentrated much on focusing the hero and his histrionics than other aspects. Comedy is not given much prominence.

Music by Chakri is a great asset to the film. A couple of songs are good. Particularly ninna monna yedalo levu… is very good. The song is also well pictured on screen. Stunts by Ram Laxman are average. Cinematography is good. Dialogs provided by Rajasimha are average and lacks punch. Editing is ok.

Happy Days is nothing but College days

College days are the most Happy Days. Graduating from college is the end of Happy Days but beginning of purposeful Days : is a dialog from Sekhar Kammula's directed Happy Days. As it goes, Happy Days is about a bunch of college going guys and girls in the college - each with a character, attitude and background. That is pretty much about the story. So, what is new? Sekhar Kammula proves that question wrong and comes up with an excellent presentation of the same in his own style.



Into the details: The film opens with all the lead characters joining CBIT Engineering college. They all bond during the ragging time. What goes on through their lives form the rest of the film. Values of friendship, transformation from naughty to being resonsible, love budding from friendship, college egos etc are nicely portrayed.

First half of the film focuses on establishing the characters. Relations start building up. By second half, all the characters and relations are established. Second half is the best part in the film where the film touches all nodes. It is hillarious at times, funny at times, emotional at times and touching at times. The narration is excellent. It is a good feeling that one will carry out of the theater. Credit totally goes to the director. The narration is nicely knitted. Emotions are nicely balanced. It is all in all a good show by Sekhar.

There are few things however that do not fit in the film. Such realistically going film has a cricket match with gimmicks. Cricket match itself is short, quick and fits the story. But the way the ball makes random jumps before hits the stumps and also creating a 'boundary bat' are unfit in the context of this film. Similar are the chemical compounds that Tyson character creates.



Nikhil is very energetic and his accent is hillarious at times. It is tough to miss Nikhil in the songs. Such is his energy. He is at total ease with his character. Varun Sandesh, though at times resembled Sidharth, is very good in his role. He played his role well balanced. Even though all four guys are leads in the film, it is Varun's character that gets maximum footage. In fact, he is the one who narrates the entire film. He has done total justice to his role. Rahul is the most softest of all but bold. His love for a senior and the approach he takes in gaining his love is done nicely. Couple of scenes where he responds to his friends saying 'it doesnt matter what he did, he is still our friend' are very touching. Some of his dialogs will surely deserve claps from the audience such as 'ishtam, bhayam oke dhaggara undavu', 'entha chesian vadu mana friend ra' etc.

It is tough to rate which one of the lead did the best because all of them played their roles as per the requirement. Recognition goes to Nikhil and Rahul based on their characters in the film and Varun for his leading through the film. Vamsee plays a guy who cannot even take getting 2nd rank in the college. His love for a disloyal girlfriend makes him blind for the friendship. He is apt in his role. Tamanna is beautiful and played her role perfect.

Music by Mickey J Meyer is excellent. Thanu leka song that comes as parts, situationally, is very well composed and fits the mood very well. Lyrics add more value. All songs are nicely visualized. Editing by Marthand K. Venkatesh is good. Camera by Vijay is very good. The movement is smooth and every frame came out like canvas. The way the locales are captured in Araku is extraordinary. Especially the camera coming out of the sand dune and turning on the 8 people sleeping on the beach and goes back in again is just an example of the craftsmanship.

Chiranjeevi's son Ramcharan Teja in Chiruta

Chiruta released with huge expectations. Why not? Megastar Chiranjeevi's son is making debut and that too directed by Puri Jagannath who has been rewriting the box office records with his recent films. So, what is Chiruta up to? Unfortunately, the movie does not meet the expectations. Barring Ramcharan Teja (dances, looks and performance), some part in the second half and Mani Sharma's numbers, the film offers nothing.

Chiruta definitely served one purpose though - launch pad for Ramcharan. Though the film might not impress, Ramcharan impressed in all departments. His looks, costumes, dances, dialogs, timing, fights.. what not.. he is good in every thing. He shows lot of energy in songs. Grace and energy are two different things. Ramcharan showed abundance of both of them in the songs. On a side note, most of his histronics, expressions and body language resembled Pawan Kalyan.

Into the details: Ramcharan (Charan) goes to jail in his childhood for a crime he has not commited. He does it intentionally to save his mother. When he comes out of the jail after 12 years, he moves to Bangkok working for a travel agency.

One wonders if the film is actually directed by Puri Jagannath. First half is mediocre. Songs seem to pop up frequently even though there are only 6 songs. Good thing is that song arrival can be identified immeidately. (A few shots of the upcoming song are interleaved with the song leading sequence). Few songs and few fights, and nothing else runs in the first half. Dharmavarapu Subramanyam's liners come as a bit of relief. Second part of the second half is what makes the film better. After Charan's narration of his story to the heroine, the film gets content and wraps up with an Apocalyptic styled Climax.

Interestingly, there is not much comedy in the film, which is not usually the case in Puri Jagannath's films. Even though Ali, Brahmanandam and MS Narayana were present, nothing much came out them. Usually, in previous Puri's films, either MS Narayana or Ali had good track. In this film, Ali appears as Nachimi but gets very few laughs. Dharmavarapu's dialogs had some comedy though.

In the cast, Neha Sharma is okay. Most of the movie, she had short clothing. Prakash Raj was content in his role. Though his character started out monotonous, the dialogs between him and his daguther (Neha) will get applauds. Thanikella Bharani, Asish Vidhyardhi does not have much scope but did their roles to content.



Overall, this served as Ramcharan's launchpad showcasing his talents. Puri's mark is missing though. It can be seen only for Ramcharan's performance.

Venkatesh as Ram in Tulasi

As the makers and the hero referred to the film, Tulasi is an attempt to blend faction, action, love, family drama, emotions, sentiment and what not. A typical formulaic film in a pakka commercial format yet portraying Venkatesh in a powerful role is achieved by the director Boyapati Srinu. This is Boyapati's second film. He is surely successful in presenting the hero, with the screenplay and good emotions in the film but on the flip side are - too much violence, too many characters (villains) in the second half, and not much importance to other characters other than the lead.

Run wise, the film has very strong chances of turning into a hit. ( There is a sentiment that the range of a Venkatesh's film depends on how many times he cried. And he does that about 6 times in this film :) ).



Going into the story, Tulasi Ram (Venkatesh) comes from a faction background and he is intolerant of injustice. He does not mind getting into action if he is moved. His wife is pretty upset about his attitude and they both split. After 5 years, Tulasi moves into the same apartment where his wife lives. Why? Why after 5 years? and What upset his wife? Watch the film on screen for the plot.

The rest of the cast just had some role and they did their part to content. Ramyakrishna and Uttej as friends did their roles good. Ali, Narsing Yadav generated good comedy.

There is one particular character that needs special mention. It is Master Athulith. He played son to Tulasi in this film. He is excellent in his role. It is the scenes between the son and the father that are core to the emotional part of the film.

Story is pretty formulaic and in typical old successful films format. Boyapati Srinu is successful with his screenplay that keeps the audience engaged. Especially the way he has moulded some of the scenes - scenes between Nayana Tara and Venkatesh in the flashback episdoes, scenes between Venkatesh and Master Athulith, scenes between Master Athulith and Nayana Tara - is extraordinary. It is these emotions - of joy and sorrow - that the director is very successful in portraying. On the other hand, there is too much of violence in the film.


Camera work of Bala Murugan is good and editing by Marthand K. Venkatesh is crisp. Stunts by Ram Laxman, Kanal Kannan are just okay. Devisri dished out superb music. Especially the songs Vennelintha , Nee Kalla thothi, Miyya Miyya songs are very good. Shirya mesmerizes in Chuku Chuku song. Even though Devisri's re-recording is excellent at times, it coul dhave been better at times.